It’s hard to imagine that 4 years have gone by since I was in Italy! To celebrate the coming Spring and to remember that wonderful trip I thought I would show some of the sculptures I’ve completed in the marble I brought home. It’s been a very creative time despite the disruption caused by Covid 19, I’ve been fortunate to have a studio to go to and lots of stone to work on. These are some of the pieces I’ve completed that are from my Italian marble stash. I’ve completed more using all the other stone I have but that will have to be another post. Enjoy!
You’re welcome to come by and visit me in my studio, I always have new sculptures in process and new ones that haven’t yet been photographed. I’ve just finished a couple of commission pieces and will try to get good photos and post them. Thanks!
The stone is here! After a six week long voyage, the Singapore Express went past Whidbey Island on May 16 where I was able to snap a photo as it headed to the Port of Seattle. Then it began its journey to the Freeland Art Studios. The container got delivered to Marenakos Rock Center (thank you Scott Hackney!) on a Tuesday. Eirene (one of my fellow sculptors from Italy) and her husband Zack packed up the truck and trailer on Wednesday and came to Whidbey Island where Tamara (sculptor # 3) joined us. On Thursday the great unpacking at the Freeland Art Studios happened. It was a beautiful day and it was exciting to be reunited with our sculpture and marble.
I hope you’ll come see sculptures I started in Italy and the raw stone at our Ninth Annual Open House at Freeland Art Studios on Saturday, June 15, 11 a.m. to 4 p.m.
This is the journey of the stone in photos. Enjoy!
I’m back home but still posting photos from my Italy visit. We packed a lot in for one month so I’ll keep posting until the stone gets here in late May.
On the Sunday preceding our last week at the studio we went on a Quarry Tour. Sunday is the best day to avoid sharing the tiny roads with giant trucks hauling stone. We drove up the mountain outside of Carrara and then the jeep took us up to the near-top of the mountain where we could see numerous quarries. The weather was clear and mild, a great day for being on the mountain.
Going to the quarry is an opportunity to touch the origin of the stone; to see it where it came from, to appreciate all those centuries this marble sat in a mountain after is was formed. There’s so much history in these mountains, they’ve been quarrying stone since well before Michelangelo and the Renaissance.
Michael (our guide) explained the techniques and some of the current rules and restrictions governing the quarries. At the base there is a small outdoor museum with old equipment and photos that helps illuminate the history of the area and the dangerous work of quarrying marble.
I took hundreds of photos so please appreciate the restraint I’m showing by limiting my choices here. I’m not known for my restraint when it comes to stone (which you likely already know if you’re reading this blog.)
Even if you’re not a stone sculptor, getting a chance to go on a tour and see a quarry is a pretty amazing thing. If you want more photos, I’ve added some here at the end.
Home. After four weeks of sculpting and two weeks exploring Italy it is wonderful to be back home on beautiful Whidbey Island. It’s so green! Italy was so great (big surprise), I have more photos to share from my trip, so if you’re up for more about Sue’s adventures in Italy, keep following the blog.
The last week in March we (Tamara, Eirene, and I), took a couple of great field trips. We went into Florence to have a visit with David, yes, “The David.” We also visited the Medici Chapel to see the sculptures there. The following day we went up into the mountains outside of Carrara on a marble quarry tour, its too many photos for one blog so that is a whole separate blog that I will post soon, in the meantime, enjoy Michelangelo.
I hope you enjoy the photos even a fraction as much as we enjoyed these days. I plan to post a couple more blogs after this and I’ll definitely post when the stone arrives. It’s on a ship now headed this way and is due in late May.
These are photos of the unfinished Slaves by Michelangelo, also at the Galleria dell’ Academia in Florence. It’s amazing to get within feet of these sculptures and see the tool marks as he worked to find the lines of the form in the block. You can see where he was working out the placement of the body part, pushing it deeper into the stone.
The Medici Chapel is home to the sculptures at the tombs of Lorenzo and Giuliano de Medici. You probably know these sculptures as “Night and Day,” and “Dawn and Dusk,” by Michelangelo.
The David and other celebrated Renaissance sculptures are what I grew up seeing in my art books and in popular culture. To see them in person is an inspiration. I’m grateful these sculptures were recognized as masterpieces and protected. I do grieve for the losses of so many masterpieces around the world lost to time, war, and ignorance.
So, back to more Michelangelo. Follow me on a little side track. As my trip progressed I went to Milan and while there I got to see a Michelangelo’s Rondanini Pietà. He sculpted the “Pietà” theme at least three times; the first he sculpted when he was in his 20’s, the famous Pietà which is at Saint Peter’s Basilica in Rome. The second has 4 figures; “Deposition,” which sculpted in his 70’s. It’s in Florence but I have not see this one. The Rondanini Pietà is at the Sforza Castle in Milan and it was the last sculpture he was working on when he died at 89. Ah, it’s such a feast seeing these sculptures in person.
The sculpture is clearly unfinished, not just obvious by the lack of detail and the textures but also because he left a previous version of Jesus’s right arm that is 10 or more inches away from where the current arm and body of Jesus is. This sculpture doesn’t have to thick muscularity of many of his other sculptures, in fact, from some views I found myself wondering if he’d left enough stone to finish it. He certainly captured the drama in the pose, you can feel the weight and the sorrow.
There is so much to see in Florence and we were only there for part of a day. It was amazingly crowded, I hear it is always like this now but it was the nicest day of the year and a Saturday. Still, if you’re visiting Florence, get your tickets in advance (thanks Tamara) or you will likely spend a lot of time in line.
Art everywhere, models from the Academia and sculpture from the Palazzo Vecchio.
Not everything is old. Here’s some street art by Blub I found on the streets in Florence and Lucca.
Last week on Tuesday we met Piero. Piero is a magician. On Friday he made all of our stone disappear into 4 wooden crates. I thought I knew how to pack things well. Spending a half-day with Piero loading up the crates was an opportunity to work with someone with exceptional spatial abilities. It also helps that he can operate a forklift and use two single straps a multitude of ways to lift, turn, flip and slip stone into tight spots.
He came to look at the various stone we’ve collected over the 3 weeks and with a tape measurer and an exclamation of “Mama mia” we worked out a plan. Mostly in his head, as I only saw him write down the measurements of four stones. With the help of Lotte, one of the resident sculptors here, we arranged to have crates built to ship our stone home. The crates have to be built out of special wood that is stamped and certified so we don’t import any bugs in the wood.
It was a surprise when we arrived to the studio Friday morning to see 5 empty crates already delivered. Piero came after lunch and started to load the stone, Tamara recorded all the stone and where they went, Eirene took photos of each one (we need to supply a complete record of everything we’re exporting and importing to get us out of Italy and into the US). And no, sadly we cannot fill the spaces with wine and olive oil although we did really want to.
On Monday Piero will return to fill the final crate with our sculpture. This one is packed a bit more carefully. We’ve not finished anything too far and this is one of the reasons why. All of the in-process sculpture will go in the fifth crate. We still get a few days to sculpt on some small pieces before we leave at the end of this week (how did time go this quickly?). At the end of the week, we’ll put them in the last crate before it’s closed up.
We’ve been working with our shipping agent in the US and his counterpart in Italy who has responded graciously to my many questions with patience after noting, “your first time buying stone in Italy to take home?”. “Si, but hopefully not my last,” I replied.
This week we will spend a little less time sculpting and more time recording all the stone and their dimensions and types. Then we’ll get the final dimensions of the crates and the weights, sign off on the shipping documents, and arrange for a truck to come and pick it up to take it to the outgoing Port. We won’t see our sculptures again for about 6 weeks when they arrive in Seattle and we truck our crates to Whidbey Island to unpack them.
As exciting as this part is, it’s also real reminder that our time here is coming swiftly to an end. We have a few more days to enjoy stone dust and our new stone sculpting family at Studio Pescarella, so we will focus on that instead.
You can never have too much stone. That may be what will be on my tombstone. Maybe I’ll have multiple tombstones to make my point. The stone buying in Italy has begun. I’m not sure how much more I’m going to get, I keep thinking “that’s enough for now” and then I think about how some of what I’m seeing I can’t get in the States. I do feel I’m showing some restraint in that we’re planning on filling some crates but not filling our own shipping container. Yet.
Want to see what I got? Of course you do!
More stone is being delivered later this week. I have yet to find a chunk of mostly white marble that I have to bring home but lots of lovely Bardiglio and other grays. Did I mention how hard it is to choose?
I love the little trucks here too, now I want a little Piaggio like this one to bring home. Maybe if I got a container I could just put one inside with the stone?
*Disclaimer: This is all about tools so it may not be so interesting to all of you but I know the stone folks following my blog will want to know.
The end of the first day were were at the studio we had to leave early to go buy some tools. Since Italy runs on 220 power our US grinders won’t work here so that was first on the list. We stopped a couple places before we found some reasonably priced Makita variable speed angle grinders. They have these new handy clip on mesh screens for the intake holes, I haven’t seen those before. I’m also not sure they are effective for keeping the stone dust out but I’m using them anyway. I also got these great little 3 inch silicon carbide grinding wheels and they are sweet. Anyone know where to find them in the states? (Because these fit these tools and won’t fit on a 5/8 US shank).
Last week we went to Milani tools, I failed to get photos of anything except the wall of the famous “italian” riffler files. It was a bit of a challenge to find but our navigator Tamara got us there. So far we’ve only had three trips to Milani (they are close by) and I’m sure we’ll have one or two more to get some things to take home. They have so many goodies there, pins and sleeves, silicon carbide bits in all kinds of sizes, and of course, rifflers.
I brought all my protective gear from home; respirator, googles, ear protection, hat and gloves.
Last week we ventured to Massa (which is 5 km north of us, and on the way to Carrara), to Cuturi Tools. Cuturi makes pneumatic air hammers and Tamara has a couple of old ones, one small Piccolo (small) hammer that needed repair. She has been emailing them so they buzzed us in the gate and welcomed us into their factory site. We met Ezio Cuturi, the grandson of the original founder Gino Cuturi. He now runs the business with his brother. He helped Tamara with the repair and entertained us while we bought chisels and experimented with their new “Piccolino” (even more small) air hammer which does engraving and small work.
Both Milani and Cuturi are great brands in the world of stone so it has been a treat to look and buy tools directly from the source. Who knows what else we’ll find to bring home with us!
If you’ve got questions, ask them in the comments and I’ll try to put together a Q and A blog.
Notice I did not say “too much stone.” Stone is one of those things you can’t have too much of; like good health or love. Everywhere you turn there is stone; the tile, curbs, window sills, and sinks. It’s like wood in the Pacific Northwest, it’s the readily available material.
Studio Pescarella is located in an industrial area so we are surrounded, literally, by stone yards and fabricators. On either side of us and across the street there are yards, and the “back yard” to the studio is a river and on the other side of the river is…wait for it, yes, two more stone yards.
The difficulty is choosing. So I started with the path of least resistance, I bought a couple of small cut off stones from one of the studio owners here and worked on those. Then we started exploring the dumpster next door which belongs to a large scale fabricating shop with wire saws, CNC machines and all the rest. They are kind enough to indulge visits to the dumpster from the Studio. We have “rescued” good stone there, the biggest was a good size chunk (see below) and had 2 cracks, once split it has broken into three nice carving stones with lovely veining.
On Friday we started actually shopping to buy stone. It gets delivered on Monday, nothing giant but some nice finds. More on that soon. Thanks for reading and commenting. I’m happy so many of you are enjoying being along on my trip to Italy.